Training Montage

I am still not dead; my life has just been consumed by prep for comps.

And it’s not even June yet.

I wanted to sit down and write some solid reviews of all the theatre I saw last week (Punk Rock by Zeitgeist, an unsettling portrayal of school violence and bullying; From Denmark with Love by Vaquero Playground, a romp through Hamlet mashed with Bond films which doesn’t close until Monday so you should totally go see it, the next installment of the RPG-inspired New Hampshire based improv show; and Richard III by Seven Stages Shakespeare read in the parking lot of Throwback brewery… yes, they are brilliant and

my live-updated character map of Richard III that I kept to help my roomate follow the story.  A great exercise and I was impressed with my own memory!

my live-updated character map of Richard III that I kept to help my roomate follow the story. A great exercise and I was impressed with my own memory!

this reading was a truly wonderful way to spend Memorial day).  Last week was pretty amazing.

Really, what I’ve got knocking around in my head right now is a bunch of information about Greek theatre, a bunch of speculation about Greek theatre, and the threads of plots from several random plays because I’ve been catching up on all the things I was supposed to read as a good theatre person and have never gotten around to for one reason or another.  The other day, I fell asleep while reading Aristophanes’ Clouds which led to some interesting dreams (… if you’ve never read it, I think the humor translates reasonably well and if nothing else, you could read it with an eye towards what these dreams might possibly have been).  Last night, I dreamt about dancing and Argentine Tango while discussing the Spanish Golden Age (which is doubly interesting because, at least for the moment, my knowledge of Spanish Golden Age is limited at best).  I’m awaiting a dream similar to one described to me by a senior colleague that he experienced while he was in his own comps process.  It was essentially a Mortal Kombat style mash-up battle dream in which he was fighting some famous Japanese performers in a historiographically accurate Greek theatre.  He valiantly defeated his nemesis by loudly declaring that some details of this theatre were not, actually, backed by firm evidence.

When you’re studying for this exam, it consumes your life.  Everything I do or say now is somehow related to comps (and, if it’s not, I feel like I’m wasting my time).  My social interactions are only valuable to me if they include some discussion of theatre.  As demonstrated by the previous paragraph, even my naps/dreams have become an arena in which to study and process information.

I am, essentially, becoming a theatre history machine.

If this were a training montage, Marvin Carlson would be yelling obscenities at me while I ran up and down flights of stairs reciting dates, facts, and figures from memory.  Cut to me paging through tomes with a highlighter, viciously attacking certain sections as I daringly attempt to stuff that information into my mind.  Smash cut to me sitting in a theatre watching a play while information scrolls past the side of the screen Sherlock-style and I attempt to situate this both within its historical context and within the context of contemporary American theatre.  Then cross-reference that to how it may have been approached during an era entirely unrelated to either of those things.

Shot from the reading; not the best but you get the idea

Shot from the reading; not the best but you get the idea

This process is something that I am actually enjoying despite the life-consuming nature of it.  I am learning a vast amount and most of what I’m learning are things that I’ve been assumed to have known all along.  In a lot of ways, the comps process is a certain amount of “destiny fulfilling”.  If we want to take it to the ultimate geeky extreme (and, really, who doesn’t?) it’s the process of becoming the chosen one.  We’re on Dagobah being trained by the great Yodas of our time to bring balance to the academy.  We’re growing into those shiny shiny robes that they let us wear to our hooding ceremonies.  We’re crafting of ourselves something that won’t embarrass our home institutions when we walk around with their names in our byline.

…and if I look at it that way, I can’t be too upset when I fall on my face a few times.  Luke did too, after all, and he grew up to defeat the Empire.

The Warm-up

This is a drive-by to let you know that I’m not dead.

I wish I could say many things; aphorisms about how hard I’ve been working this week, comforting thoughts about how I’m nearing the end, or really just something poignant about the process I’m going through right now.

Unfortunately, they would all be lies.

The process is only beginning.  I’m just dipping my toes into the ocean that is studying for comps.  I’ve been working hard, but it’s only a warm-up for the big leagues that are ever so steadily coming my way this summer.

For that, this warm-up period is important.  You can never, ever, throw yourself into the

This was the amusing thing that happened yesterday when my comps pile for the day caved in on itself.

This was the amusing thing that happened yesterday when my comps pile for the day caved in on itself.

deep end and expect to swim when you’re plumb exhausted.  I took a break, but quickly found that that break wasn’t enough.  A good friend reminded me that fatigue is cumulative and yes, I just achieved an enormous step in this whole “becoming a Doctor” process (even though the next mountain is about twice as high and infested with Yetis) it’s no wonder I’m so damned tired.  Giving into this sometimes is only going to help me in the long run and I can study during the intervals between naptime, so long as I keep naptime under control.  In other words:    warming my brain back up to the idea of working is an important step.

It’s not pleasant.  I would liken it to those first few days at the gym pushing yourself into a brand new workout regime: i’s sweaty, uncomfortable, and no matter how good you know it is for you, you never want to go do it.  You wake up exhausted and sore the next day with only the knowledge that, in order to achieve your goals, you must do it again.  And again.  And again.

So I’m hitting it.  I’m holding myself to deadlines, I’m withholding the appropriate bribery forms (often times I have to physically walk away from my desk to keep myself from messing around on the internet instead of reading Greek tragedy), I’m keeping a proper scheduling (SCHEDULING IS IMPORTANT!  Nothing creates burnout like too much work crammed into an undoable amount of time!), and I’m making sure I eat and exercise regularly.

For that, I’m tired.  I’m stressed.  And I don’t see it getting better anytime soon.

This summer is just going to be another exercise in staying in the red and finding the energy.  But you know what?  Sometimes, you just have to get it together and muscle through.

If you need me, I’ll be buried under this pile of books for the next few months.  Don’t mind the occasional bouts of cursing, snoring, or drooling.

Not a Doctor Yet

Hello, all.

Having taken my break, I’m back in the game today.  I hit the ground running with some Brockett and Hildy (as any good Drama comps taker should) and proceeded onto some reading about rituals and the origin of Drama (problematic theory, blah blah, many details that most of the population will never care about but since I’ve decided to devote my life to bettering myself by way of the mind I need to know at least for the moment).

Over the course of the past week, I’ve been asked by many of my friends if I’m “a doctor yet”.  Let me clear this one up: NO.  I’m SO not a Doctor yet.  I’m WAY far out from being a Doctor still.  In fact, despite the fact that I’m about a half to a third of the way through the process by way of time (two years in to what should be a 4-7 year process), I’ve probably only done about a fourth of the work.

So the next thing they ask is “well what happens now?”

Here’s what happens now: I spend the summer studying for my exams.  What this means in practice is cramming into my already-full mind every single detail about theatre history, actor training, the history of scenic design, theatre technologies, famous actors, playwrights, and important plays that I can possible manage.  I will be held accountable for all of this information in the fall when I take my comprehensive exams.

At Tufts Dance and Drama, comprehensive exams (or “comps” for those of us fondly acquainted with them) consist of basically a week-long process.  Two days of in-house test-taking, then a weekend take-home.  It’s an essay-based procedure which essentially examines the student’s ability to craft arguments out of the vast amount of theatre history described above.

It’s extremely stressful.

After comps (non-denominational-deity-willing that I pass them), I then proceed to my orals.  This consists of two lengthy lectures which I will give on topics of my choosing within certain parameters set by the department (parameters mostly relating to the breadth of topics and how similar they can be) to a panel of professors whom I assemble.

Once I do this, provided I appease the savage gods of academia, I will take a month off.

My Coffee Table today: a still life

My Coffee Table today: a still life

Once I return from my month off, I will write a proposal for my dissertation.  This will be reviewed by my diss advisor and likely rejected several times with suggestions for revision before it is accepted.

Once this is accepted, I start writing.

I write for a good year (if not two or three) then come back with a book-length manuscript.  That golden dissertation.

Then I defend it.

Then I get a pat on the shoulder from the department, provided I’ve once again done well and appeased the savage academic gods, and then (oh then) you can call me “Doctor”.

Each of the steps on this road is huge, important, and extremely stressful.  I appreciate the support and love of my friends and compatriots, and will require it in spades as I continue down my path to enlightenment and letters after my name.  Every achievement is a hard-fought battle and will leave scars.  Just because I may appear to have a cavalier attitude about it does not mean that it’s not a big deal (don’t let me fool you).

So: I thank you for your congratulations.  I appreciate the excitement and I understand how confusing this process must be for someone completely outside of it (heck, it confuses me sometimes and I’m the one doing it).  But no, I’m not a Doctor yet.  And every small status change (Done coursework!  ABD! Doctoral Candidate rather than Doctoral Student!) is HUGE.

Blood, sweat, and tears.  A whole lot of sleepless nights.

I do love my job, but there’s a long way to go.

Here’s to another two to five years!

Crossing a Finish Line

Alright folks,

I can tell you now, officially, with all certainty, that it’s over.

I’ve completed all coursework for my PhD.

I wish I could say that this momentous occasion feels as wonderful as it sounds, but truthfully I’m just exhausted.  I find that, without fail, the moment I stop running everything catches up with me.  All the stress, emotional turmoil, mental fatigue, physical challenges, everything I’ve been running from since mid-semester just slams right into me and belly-flops me into the ground.

It doesn’t help that coursework is widely regarded as the easiest portion of the PhD.  Which is not to say that it was easy.  If you’ve followed this blog for any length of time, you can attest to just a fraction of the politically-correct things I have to say about coursework.  Somehow, all that build-up of blood, sweat, and tears only makes this next step even more daunting.

So it does and doesn’t feel like an accomplishment to have survived this long.

I’m loving my couch hard core right now and I don’t have many deep thoughts to think.  I lieu of those, have a watch of the films that we made last weekend!

(The second film is a making-of documentary with a twist available here on Malarkey’s website.)

Happy summer, everyone!

Say Goodbye to Hollywood

Over the weekend, I had the good fortune to work on Malarkey Films’ entry into Boston’s 48 hour film festival.  Without giving too much away, I can tell you this: our movie was an action movie fairy tale, there was a copious amount of violence in it, and I played a rapier-wielding fairy princess.

I believe I’ve previously expressed the oddness of returning to acting.  I had well and truly

working out a sequence with the fight director

working out a sequence with the fight director

thought that the portion of my life as a performer was over indefinitely and was slowly coming to the realization that that may be okay.  For that, over the course of this year I’ve been hard at work as an actor, combatant, and general theatre-maker.

And I must admit that it’s been much more fun than I could have hoped.  Being back in the theatre is extremely nurturing to my work and my little artist’s heart is lifted every time I get the chance to work on a project.

This project in particular was a challenge on several levels: first off physically.  It’s been a few years since I’ve done any serious fight work (and this was serious fight work).  We were on location shooting for nine hours, the bulk of that entailed either learning or performing choreography.  Despite it being May, New England hasn’t quite gotten the “it’s Spring!” memo yet so the last few hours of our day turned much colder than what was truly optimal given the costuming I was wearing (though admittedly I was one of the more covered-up ladies in the entourage).  Eventually, mental and physical fatigue just won over and to have that happen right when the weather started turning towards “not so comfortable anymore” was extremely disruptive to my groove.

Since this was a film, we were also shooting the story in not-necessarily-chronological pieces.  Which meant that one of the last shots we got was one of the first shots in the film.  Which meant that, despite being tired and cold, we had to muster the energy to be glowingly happy.  It also means that I have a sneaking suspicion that my hair is going to look all kinds of strange in the opening scenes since they were shot after I had spent the day rolling around in forest foliage fighting for my life.

performing part of our badassery; the dress was surprisingly easy to fight in

performing part of our badassery; the dress was surprisingly easy to fight in

…hilarity also ensued when a grappling sequence meant that the DP, sound guy, and my fight partner were stuck picking leaves out of my hair for a good three minutes before and after every take of this phrase of our fight.

Another specific challenge with a film is the speed with which it requires committing dialogue to memory.  In this instance, the writer was also the fight director and so was on set for the entirety of the shoot and gave us leave to adjust as necessary (with the exception of the one line which we were required to include as part of the parameters of the film festival…which of course happened to be my line).  Short term memory is a funny and amazing thing and mine was well exercised over the course of Saturday.  For that, it’s strange for a Shakespearean like myself to feel comfortable with adjusting dialogue to suit my own needs.  The vast majority of my experience treats the text as doctrine: changing it is sacrosanct.  Film, however, is a medium entirely different from stage and this was just one of the things that I had to accept and move on.

The finished product should be available on Malarkey’s website by week’s end.  I have to say, I’m extremely excited to be seeing it on the big screen tomorrow.  If nothing else, it was a welcome break from finals-writing.

For those keeping track, my last paper of coursework is due tomorrow.  During the afternoon, I’ll be at Tufts speaking at the Graduate Research Symposium in the 2PM time slot if you happen to be around and want to hear about my work for ten minutes.

…just keep swimming.

School’s out for Summer

Yesterday, I attended the last class of my PhD.

This isn’t to be confused with completing coursework (which won’t happen until my papers are all firmly nestled into the appropriate inboxes, a momentous occasion which will occur next Wednesday) and, really, knowing me I won’t be satisfied until the grades all pop up on my transcript affirming, beyond any shadow of a doubt, that this is (in fact) real.

The class was a five-hour lecture wrapping up my ancient theatre course.  This particular lecture covered Sturm und Drang, Weimar Classicism, and Romanticism.  It also included a “presentation” I had prepped on Goethe’s relationship with Shakespeare (I put “presentation” in quotation marks because it wasn’t a “talk at the class for x amount of time” kinda deal but rather a “do a lot of reading and act as a pop-up video as we discuss the course reading” sort of thing).  This class wasn’t a small deal at all.

But I survived.  The class ended with the professor making a few profound remarks about

Yup.  It's me.  Slaying zombie Shakespeare.  Because I roll that way.

Yup. It’s me. Slaying zombie Shakespeare. Because I roll that way.

how far we had come and it took all my self-restraint not to stand up in my chair and yet “AMEN TO THAT!”  For me, she wasn’t just talking about her course (though certainly we had come a long way there), but rather the progression of my graduate career at Tufts.  Two academic years ago, I was sitting in a room, terrified, and waiting for someone to stand up, point at me, and shout “you don’t belong here!” before systematically evicting me from the premises never to return again.  That feeling of being a fraud, not worthy of the opportunities allotted me in my career, has faded over time.  I’ve learned so many things these past two years; some quantifiable, some not.

Among the other things I’m proud of, here’s a reasonably superficial list in terms of its breadth and depth, but it should at least give you some idea of the way I’ve changed as a scholar since my wide-eyed arrival at Tufts University:

I’ve learned how to gain access to (and dig through) an archive.  I’ve learned how to cite the sources that I find there and use them in a paper that I may, someday, publish.

I’ve learned how to get on a plane to a city I’ve never been and be totally comfortable (if a little nervous the first time or two) spending two to four days networking my little Shakespearean heart out with people whom I have never met before, and may be Top Men in my field.

I’ve learned how to write better, how to read better, and how to think better.

I’ve learned about playwrights I’d never though I’d read, performances I’d never known existed, and theorists I’d never hoped to “meet”.

I’ve learned how to talk about my own work in a way that isn’t a snooze-fest (though this will depend upon the audience, of course.  Even I can’t make the deep technical aspects of some of my research appeal to everyone).

I’ve learned to read and translate German (…though this is a skill that I’ll be cultivating for some time).

I’ve learned that when in doubt, just look.  And when looking doesn’t help you, just ask.  There are always people there to turn to.

I’ve learned that it’s amazing what people will do/reveal when you ask them questions.  So many people are willing to be so generous with their time if you’re just nice to them.

Yesterday's theory board doodle

Yesterday’s theory board doodle

I’ve learned that reference librarians are veritable deities and should be worshiped as such.

I’ve learned that it’s not enough to think, you must do.  Touch the ground and your work will always have more depth and meaning.  This means it’s not enough just to think about theatre; go see theatre.  Make theatre.  Get your hands dirty.  If we forget why we fell in love with the field in the first place, there’s no way that we’re going to last in it (and there’s no way that we’re going to make our students love it).

I’ve learned that just because it’s obvious to you does not mean that it’s obvious to anyone else, or that it does not need to be said.  And, moreover, if you don’t say it, someone else will.  Jump on it, take credit for your ideas, and you’ll go much further than if you just simper and mull them to yourself.

…this list could continue ad infinitum but I’ve still got a paper to write.  I hope that your finals are treating you well, you’re seeing the light at the end of the tunnel, and that you can take some time today to remember why it is (precisely) that you do this.

…or you could just watch this: