Tweety Bird

I’ve been fielding a lot of questions about social networking recently.  This has led me to believe that perhaps it’s time for a little chat about social networking… again.  You might recall my series on social networking (and if you don’t, it’s totally worth a read… and not just because I wrote it).  I’m not planning to reiterate everything I said there.  I want to talk about twitter today from a slightly more advanced perspective.  There are plenty of blogs devoted to how to set up twitter and get started; I’d like to pick up where those blogs left off.

So, you have a twitter account.  You have the twitter ap.  What the heck do you do with it now?

Think of twitter as a party.  A large, loud party where everyone is shouting at the top of their lungs and has had a little too much to drink so they’re really only half paying attention to the people around them.  Content posted on twitter is extremely ephemeral; like Dorothy says “people come and go so quickly here”.  Because of the LARGE amount of tweeters most people follow on their twitter feed, and because twitter is so quick and easy to update, content scrolls past on an extremely disposal basis.

The key to successful tweeting, then, is virality.  You’re not on twitter because you think that one tweet will change the world (unless your Lady Gaga who has 41,217,143 followers).  You’re on twitter in the hopes that someone else will retweet your content.

Say you have 208 followers (the average number of twitter followers per user, according to Craig Smith).  You tweet something; say a link to your most recent blog post.  At best, that tweet is seen by 208 people.  But, if one of your followers retweets the link, then you can double your audience with one click.  If two of your followers retweet the link, you’ve effectively tripled your audience.  You can snowball your twitter exposure by tweeting retweetable content on a regular basis.

But what’s retweetable content?  Tweet something that’s provocative.  Tweet something that will start a conversation.  Tweet something inordinately witty.

If you’re looking to get someone’s attention, tag them in the tweet.  For instance, if I’m blogging about large theatre companies, I will often tag them in a tweet with a link to my review.  I know that they have more followers than I do and, if I can get them to retweet my link, my exposure suddenly goes through the roof.

If you’re looking for followers, you need to put some serious thought and effort into cultivating relationships.  Technology enables quick communication, but that doesn’t mean that you should stop being a human presence.  The best way to get others invested in your content is to invest in theirs; when you retweet something add a little comment of your own.  “This is great!” or “very interesting!” shows the person you’re retweeting that you A) read the content, B) enjoyed the content, and C) think it’s worth the little extra time

Instagram has encouraged me to take the kinds of pics that I would normally tweet; like this one for instance of my new desk-Will

Instagram has encouraged me to take the kinds of pics that I would normally tweet; like this one for instance of my new desk-Will

to add a personal flair.  The more you do this, the more likely the effort is to be reciprocal.

Start conversations with people.  This is most easily done through the use of hashtags.  Hashtags, for those not down with the lingo, are those hot-linked words in a tweet preceded by the “#” symbol (i.e. #Shakespeare, #Daniprose, #busyday).  Have a look at the trending hashtags (there’s a list of them on the left of your feed if you scroll down a bit) and see if you can’t get in on that conversation somehow with your content.  Hashtags are an easy way to archive your content in a place where like-minded individuals are most likely to find it.

A common question that I’m asked is “how often should I tweet?”.  The answer to this is more than once a day, for sure.  Again, remember how disposable twitter content is.  The more you tweet, the more likely it is that your content will actually be seen.  The most common argument to this is “well I simply don’t have time”.  Tweets are 150 characters; make time if you want a healthy feed.  Install the twitter ap on your smart phone and tweet while you’re standing in line for coffee.  Take pictures on your commute and tweet that.  Remember that a tweet isn’t a commitment to the content, just a commitment to an aesthetic.  If you’re wondering what you should be tweeting, check out some feeds of large organizations or famous personalities upon whom you’d like to model your web presence.  What kinds of things do they tweet?

If you’re wondering whether you’re hitting your tweeting goals, check out your feed every now and again.  Look, honestly, at the content that you post.  Is it interesting?  Is it something you enjoy reading?  Would you follow you?  If the answer is “no”, try to determine why.  Too many retweets without added commentary?  Not enough frequency?  Or is this just not the kind of person you would associate with?  Objectively examining your social networking feeds on a regular basis is a healthy practice; you need to know how you come off if you’re looking to improve your web presence!

So tweet away, tweet-verse; experiment!  Grow, prosper!  Now, gods, stand up for tweeters!

Reputation, Reputation, Reputation!

Alright, so you’ve done some thinking about the cardinal rules of the internet.  You have an understanding of social networking platforms.  Now you need to figure out who you want to be online.

No, seriously, that’s really important.

The internet persona is the projected image of yourself that you put on the internet.  Through a combination of social media, blogging, and strategic web page contributions, you can curate an online presence which projects a very specific image of who you are.  This image can have as much (or little) to do with reality as you deem appropriate for your chosen objective.

These days, curating an online presence is an extension of creating a marketable resume.  Because trust me, one of the first thing your potential employer is going to do when your resume hits her desk is google your name.  So what is she going to find there?  Pictures of you making stupid life choices in your undergrad, or information to support the notion that you’re a responsible and respected professional in your chosen field?

This is the first image that pops up in google when you search my name (that's because it's my google+ profile pic); know how your networking effects your search results.

This is the first image that pops up in google when you search my name (that’s because it’s my google+ profile pic); know how your networking effects your search results.

Now.  This isn’t to say that you can’t have multiple online personas (you can); you will just need to be extremely careful at the personal information you share with each social networking platform (and keep clever track of your online dossiers).  Often times, even if your full name or e-mail isn’t available in a public profile, it can still be linked via meta-data to whatever network you are currently using.  So if you want to do the alter ego thing, you really need to be on top of who you are where and what your privacy settings look like at each port of call.

Personally, I think it’s just easier to keep my digital nose clean.  My job is the biggest extension of my personality anyway, and often the quirky personal details that I use to spiff up this blog, my twitter feed, and certainly my facebook lend credence to my framing argument: hire me because I’m passionate, knowledgeable, and (literally) live for this.

I do realize that I’m a special case.  I happen to love my chosen vocation and, even if I wasn’t getting paid to do it, I’d still be involved with it.  You can take the girl out of the theatre, but you can’t take the theatre out of the girl.  Additionally, theatre (and academia) are both life-devotions rather than professions.  I don’t have regular set hours, I am basically on-call all the time, and I never really “walk away” or leave my work “at work” because there’s actually no way to.  I will always be thinking about my research.  I will always be grinding on my next project.  My brain doesn’t compartmentalize very well.

Even if you function under more conventional rules of “work”, you should consider your web presence to be an extension of your professional self.  What qualities does your industry require to be the most successful in it?  What personal flair do you bring to a project?  What does your industry value in a worker?

This is not to say that your online persona should be a robot-you single-mindedly programmed to do nothing but work; far from it.  Your online persona should be personable; human.  Just a human built to do the job that you want to do.

Does your industry require tenacity?  Straightforwardness?  Verve?  What is it that makes people want to work with you in your industry?  What can you offer to a project that no one else can?  If you can figure out how to answer these questions, you can begin to craft a persona that exhibits these qualities.

Where would someone in your industry be expected to hang out?  Do in their free time?  Think about how your leisure activities reflect upon your human aspects (for instance: you will notice an inordinate number of tweets on my feed about going to the library, grading, and otherwise working on things…. That’s by design, folks).  What are the kinds of things that someone in your industry would be expected to notice from the places you go?  The

I am, for instance, the type who takes pictures of beautiful libraries (yes, this is a public library)

I am, for instance, the type who takes pictures of beautiful libraries (yes, this is a public library)

architecture?  The marketing potential?  Find a way to cleverly insert your observations into your tweets, facebook posts, instagram pics.

Social networking is a careful game of show and tell.  You assemble the pieces of a puzzle to resemble what you want to show people.  Sometimes, one piece out of place can get glossed over (perhaps one less-than-appropriate tweet).  Sometimes, the egregiousness of an already problematic infraction multiplies into proportions which swallow the rest of your public image (see: the recent Steven Taylor Twitter racism scandal http://www.chroniclelive.co.uk/news/north-east-news/steven-taylor-could-charged-fa-6310354 ).  But this shouldn’t be a problem for you since you’re following rule one of the internet, right?  RIGHT?