The Care and Feeding of your Comps-Taking PhD-to-be

As we launch into August, it has come to my attention that I will have to take the comprehensive exam.

“Well, duh!” You say, “Isn’t that what you’ve been studying for since June?  Isn’t that the cause of your extreme stress, and the true root of every single nightly anxiety dream you’ve been experiencing?  Don’t you already know this?”

…yes, I know this.  In theory.  Comps, much like any other part of this process of becoming, is something that is effectively fiction until it’s reality.  You know that it’s listed as a degree requirement in the Graduate Student Handbook, you see its wake in the eyes of your senior colleagues, you understand that it is a thing that does happen, but until you have some confirmation that it will happen to you it still seems like you roommate’s imaginary Boyfriend who lives in Canada*.

For me, the concrete proof came in an e-mail from our department admin this week announcing the dates of the exam, some details about the exam, and the locations where we will each be subject to our individual torture hell anguish trial.  This, combined with the realization that it is, in fact, August and thereby the summer will, at some point, end has added some heat to the proverbial fire and kicked my already-overblown stress level into overdrive.  The anxiety dreams have gotten more pressing (though, sadly, more routine and so affect me less when I wake up), the fatigue has gotten more dragging, and the day-to-day realities of comps studying have

Another cute picture of a cat that's not mine with books that are mine.

Another cute picture of a cat that’s not mine with books that are mine.

gotten more mind-numbing.  I’d love to say I was in the final stretch, but I’m really only cresting the mid-point.  I’ve got about a third of the way left to go.

This in mind, I would like to take a moment to address the care and feeding of your beloved PhD student.  If you’re reading this, there is (in some capacity) someone in your life who has, will, or is gone through or going through this process.  As such, please bear in mind the following fundamental truths of comps studying:

Truth the first: every small adjustment, change, or mishap is suddenly a GIANT CALAMITY.  Right now, there are very few things that we can control.  Changing a SINGLE THING which falls inside that realm is simply disastrous.  In the past week, I’ve burst into tears over eggplant because it wasn’t in the fridge when I expected it to be.  No joke.  Treat your PhD student gently and if something ABSOLUTELY HAS TO CHANGE, make sure it has the smallest effect on his/her existence.

Truth the second: We don’t have enough hours in our day.  Do not expect us to go above and beyond for anything right now (note: “above and beyond” can just mean “hey, can you take out the trash AND recycling because of completely reasonable reason y?”  See truth the first for further explanation on this point).  Also, do not expect us to be capable of organizing, planning, being in charge, helping, assisting, or taking care of anything no matter how menial it may seem.  We simply can’t do it.

Truth the third: Small words.  Please.  Use small words.  And unless you’re talking to us about our field, don’t expect to engage us in any conversation that requires more than grunts, nods, or Neolithic fist pounding.  If you do expect such engagement, also expect that we will almost immediately find a way to turn the conversation back to whatever it is we’re studying.  Example: I found clear references to eighteenth century acting technique in Pixar’s Monster’s University.  When my companion asked what I thought of the film, it was about all I had to add to the conversation.

2013-07-28 21.36.58

and another picture of my desk. This time in PANORAMA!

Truth the fourth: Any small kindness will be taken as earth-shatteringly wonderful.  This includes meal-cooking/meal-providing, hugs without conversation, and pretty much any unobtrusive reminder that you’re there, you love us, and you understand we’re going through a rough time but don’t worry it’ll get better soon.

Truth the fifth: Treat plan-making with us as a precarious process which may or may not come to full fruition, and please PLEASE don’t take it personally when we have to stay home and read, work late for some reason, etc.  This also includes unanswered/unreturned texts or phone calls.  We still love you and we promise that we’ll get back to you come September when this ordeal has come to its inevitable conclusion.

Truth the sixth: As odd as this may look from the outside, this is a life-changing process which (literally) determines the fate of our future.  Our entire careers will be changed by the outcome of this exam.  Dealing with that reality every day is daunting, dizzying, and frankly terrifying.  We are essentially training our brains to think like professional academics and this is something we will use for the rest of our lives.  Please don’t compare our stress over this to your bad day at work, the failures of your dating life, or burning dinner.  It will just make us angry and frustrated that you don’t really understand what we’re going through.

Truth the seventh: Pretty much just treat us like cranky three-year-olds and you can’t go wrong.  Simple things that provide amusement are appreciated, tasty treats will always be greeted with gratitude, ignoring us when we’re having a temper tantrum is perfectly acceptable.

I assure you, we will repay the favor tenfold when we’re no longer living in the seventh circle.

*Please Note: My current roommate doesn’t have one of these, but I understand from contemporary satire (i.e. Avenue Q.) that it could be a thing which a hopelessly single person might say in order to convince his/her friends that he/she is not, in fact, hopelessly single.

And Knowing is Half the Battle

Since I seem to be writing nothing but theatre reviews lately (…mostly because I’m seeing SO MUCH THEATRE!), I figure it may be time for a reprieve from the “mundane” (or at least routine) around here.

Here is an unexclusive, incomplete list of things that I learned this week.

Thing one: Cyrano De Bergerac is a tragedy… and actually really sad.  This would be fine except I saved it to read for when I needed a pick-me-up… suffice to say it’s been a rough week for many reasons (only one of which being the sheer amount of maudlin tragedy I’ve had to choke down this week).

Thing two: Peanut butter, when put in a saucepan, burns really quickly.  If you want to melt it to… say… pour over your ice cream, you need to do it low and slow.

Thing three: Early Russian theatre sometimes consisted of “serf theatre”.

Shot of my desk... and my book fort.  Yup.  It's a book fort.

Shot of my desk… and my book fort. Yup. It’s a book fort.

The Russian feudal system persevered long after it was abolished in other countries (my mostly uninformed hypothesis about this entails factors such as geographic distance from anywhere that may have been interested in creating a mercantile class, a sure-fire way to abolish feudalism, and the many puns one can create using the word “serf”).  Russian landowners, for lack of better things to do, sometimes trained their serfs and created theatre companies with them to perform for said landowners’ amusement.  This, for some reason, is both fascinating and wonderful to me.  Probably because I’ve never been a Russian peasant.

Thing four: When held in contrast with other nineteenth century pieces and scholarship about said nineteenth century pieces, melodrama actually makes for surprisingly engaging reading.  Go go Pixerécourt.

Thing five: I think if Victor Hugo had actually written the playscript to Les Miserables rather than just the novel that it was based on, it would have been markedly more wonderful, decidedly more Spanish, and never would have run on Broadway for a record 6,680 performances.  See for evidence: Hernani.

Thing six: If you hope hard enough, despite all natural barriers to the contrary, you can make it be autumn in New England even in July.

Thing seven: You could very feasibly murder people utilizing nineteenth century stage technologies and hide their bodies in places that would never be found, even within the theatre itself.  Unfortunately, once I had this thought, actually enacting such things was the only notion on my mind as I flipped through my well-illustrated guide to the nineteenth century French stage.  As such, I’m earmarking this idea for a potential future novel; sounds like a great historical detective case to me.

This is a REALLY cute kitten taking a nap (about palm-sized for the record).  He's not mine, but I like him better that way. I don't have to clean his poop.

This is a REALLY cute kitten taking a nap (about palm-sized for the record). He’s not mine, but I like him better that way. I don’t have to clean his poop.

Thing eight:  I wasn’t just whistling Dixie when I told people that German would be a useful language to have in my back pocket in the field of theatre history.  Just this week I’ve encountered several books and one play (the play, unfairly enough, was Russian in its original language) which entail lengthy/important passages in both French and German that the scholar/translator couldn’t be bothered to render into English.  Academic superpowers activate!

Thing nine: For this reason, I will really be screwed when I enter into the land of Japanese theatre.

Thing ten:  I’m really grateful to have friends who will push me to tell them about what I read on any given day.  Also friends who will go with me to the theatre.  Also friends who will pester me via text message until I leave my cave and socialize in the real world.  Also friends who will let me call and cry/whine/complain about neoclassicism and why it’s an abomination against art… even if they don’t really understand what neoclassicism is.  Also friends who speak Shakespeare to me as a means of comfort.  Thank you, friends!

Thing eleven:  Restoration comedies are WAY funnier performed than on the page.

Thing twelve: I should probably consider taking a break sometime soon lest I devolve into some sort of Gollum creature mindlessly repeating pertinent names, dates, and phrases that would only make sense in the context of theatre history.

The End Becomes the Beginning

It’s Sunday night and I’m tired.

This week, I’ve been working with Early Modern England. I’m hoping to get through it in the next few days and then hop to Early Modern Italy/France/Spain.

After that, the puritans shut the theatres down for a bit and we do a time-leap to the Eighteenth century, but I may take a detour into Asia just to get something a bit less Western on my palate.

Over the course of the weekend, I have read no books, attended one play, and participated in a variety of leisure activities/household chores to ensure that I am at least a little bit rested and good to go for the week ahead.

It probably says something about something that when I went to go save the word document I am currently writing this blog entry in, I automatically clicked into my comps notes folder.

It also probably says something that, at brunch with a friend who is an

Me and Will at Orlando Shakes

Me and Will at Orlando Shakes

alum of my program, his friends whom I had never met before immediately gave me the sympathy eyes when he told them I was taking the exams that he had taken.

And so, I stand facing down another long week. But there will be a lot of Shakespeare! Tomorrow is Hub Theatre Company Boston’s Shakespeare Open Mic Night at Trident Books. (come join us!), Friday I have it on good word that I will be seeing Joss’ Much Ado, and of course I shall be reading. So much reading.